About

Working primarily in painting, Deanne Eccles’ art-making deviates from the analytical and stresses a purely sensory approach. Her experimentations in performance, music, and the written word develop immersive environments, while her paintings remain at the centre of each project's dialogue.

Her abstractions emphasise colour, unfamiliar spatial arrangements, and are informed by over two decades of multi-disciplinary study.

After attaining a Bachelor of Fine Arts, painting major, at Latrobe University in 1993, Deanne focused on theatre and movement, studying the ‘Body Weather’ practice under Japanese artist and pioneer of Body Weather dance, Min Tanaka. This intersection of body and environment was a quintessential element in her later performance pieces with artists Tess De Quincey, Helen Sharp and John Howard, and found its way into her continued painting practice.

Deanne continued her studies in Venice and Switzerland researching Goethes colour theory and techniques of colour application. In Turkey, she returned to painting, building on her performance work, and experimenting with abstraction. She developed her practice of ‘Body Sense Perception’ in Spain, a somatic response approach to her work which incorporates the animated sensory awareness of the affects the painting can have upon the human being, and the possible response, which can be expressed in other disciplines of Art.

Deanne Eccles’ work has appeared in select solo and group exhibitions across the globe and her work is currently held at the Australian National Library and Latrobe University. Most recently Deanne’s work is currently featuring in the Contemporary Art Station, in Madrid. She has featured in a Women’s Biennale, London, Museum of Modern Art, Barcelona, (Un)fair Milan, Van Gogh Gallery Madrid.

Her artistic career is also recognised locally in Victoria, Australia for her involvement in uniting the community with the environment. She was selected as a National Nature Champion in Australia in 2015; represented Victoria in the ‘Great Dividing Range’ film for the Australian Conservation Foundation; and received significant media attention as one of the pioneers in the ‘Knitting Nannas of Toolangi’.